Franca: Chaos and Creation
Film Franca: Chaos and Creation
Director Francesco Carrozzini creates an intimate portrait of his mother, Franca Sozzani, the legendary editor-in-chief of Italian Vogue. From the ridiculous to the sublime, her astonishing but often controversial magazine covers have not only broken the rules but also set the high bar for fashion, art and commerce over the past 25 years. From the legendary “Black Issue" and the “Plastic Surgery issue" Sozzani remains deeply committed to exploring subject matter off limits to most in order to shake up the status quo and occasionally redefine the concept of beauty.
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31 gün
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90 gün
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365 gün
Fragman mevcut değil.
Franca: Chaos and Creation is a 2016 documentary film directed by Francesco Carrozzini. The film focuses on his mother Franca Sozzani, editor-in-chief of Vogue Italia for nearly three decades, and highlights her groundbreaking influence on fashion editorials while also exploring the relationship between Sozzani and Carrozzini as mother and son. The film premiered on September 2, 2016, in the "Cinema nel Giardino" category at the 73rd Venice International Film Festival where it received early positive reviews from the fashion industry. It hosted its North American premiere during the 24th Hamptons International Film Festival in October 2016
and also screened at AFI Fest in Los Angeles on November 15, 2016. The film was picked up for distribution in the US by Bond/360. In September 2017, Carrozzini announced that the film would receive a special release in Italy on September 25–27, 2017 as part of Fashion Film Festival Milano and be available to stream worldwide on Netflix starting in October 2017.
and also screened at AFI Fest in Los Angeles on November 15, 2016. The film was picked up for distribution in the US by Bond/360. In September 2017, Carrozzini announced that the film would receive a special release in Italy on September 25–27, 2017 as part of Fashion Film Festival Milano and be available to stream worldwide on Netflix starting in October 2017.
