The End of the Tiny World
Kida and Makoto grew up together because they have it in common that they don't have parents. And a transfer student, Yotchi, also gets along with them because she has a similar background, which is that they come from not such a good home environment. They spent their school life supporting each other. But, at the age of 20, Yotchi disappeared. Then Lisa, the daughter of a politician and a top model, appears in front of the two men. Makoto takes an unusual romantic interest in Lisa, who lives in a different world from them, and asked her out to dinner, but she does not take him up on it at all. Kida warns Makoto to give up on her because they live in different worlds, but Makoto quits his job and vanishes without a trace.
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Everywhere at the End of Time is the eleventh recording by English electronic musician James Leyland Kirby under the alias the Caretaker. Released between 2016 and 2019, its six albums use degraded samples of ballroom music to portray the stages of Alzheimer's disease. Inspired by the success of An Empty Bliss Beyond This World (2011), Kirby produced the project in Kraków out of his fascination with the topic, and made it his final release under the alias. He released each record after a six-month period for listeners to feel the passage of time, and used abstract art pieces by his friend Ivan Seal as album covers. The series drew comparisons to the works of musicians William Basinski and Burial, while production of the later albums was influenced by the aleatoric music of avant-gardist composer John Cage.
