Many of my films involve humour, but unlike the earlier work Shepherd’s Delight attempts to confront the problem of humour head-on, referring directly (since a large part of the film is composed of jokes and their analysis) to the viewer’s perception of the film itself. The film is largely concerned with how context determines the reading of information. Since the film’s statements oscillate between the deadly serious (concentrating particularly on an examination of the more sinister aspects of humour) and the totally bogus, with no clearly defined points of changeover, the context is often ambiguous. Hopefully, this strategy undermines both the authority of the ‘serious’ statements and any predictable effect of the ‘jokes’. John Smith, 1984
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Wonder Woman 1984 is a 2020 American superhero film based on the DC character Wonder Woman. Produced by Warner Bros. Pictures, DC Films, Atlas Entertainment, and The Stone Quarry, and distributed by Warner Bros., it is a sequel to the 2017 film Wonder Woman and the ninth film in the DC Extended Universe (DCEU). The film was directed by Patty Jenkins from a screenplay she co-wrote with Geoff Johns and Dave Callaham, based on a story by Jenkins and Johns. It stars Gal Gadot as Diana Prince / Wonder Woman, alongside Chris Pine, Kristen Wiig, Pedro Pascal, Robin Wright, and Connie Nielsen. Set in 1984 during the Cold War, the film follows Diana and her past love Steve Trevor as they face off against Maxwell Lord and Cheetah.
